They're derided as lazy and redundant, particularly when paired with a speaking verb: The words that get picked on the most are, as King points out, the -ly adverbs.
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There are numerous usage "rules" regarding the placement of adverbs in prose: one shouldn't split a compound verb or infinitive with them (so no "to boldly go" or "must be heartily congratulated") one must place them closest to the word they are modifying (so no "Quickly the news anchor corrected himself" go with "The news anchor quickly corrected himself") one shouldn't start a sentence with them, especially if the adverb in question is hopefully one should know when to use a flat adverb (like quick in "move quick" and safe in "drive safe") and when to use an inflected -ly adverb (like "quickly move aside" and "safely drive the truck") the overuse of qualifying adverbs like perhaps and somewhat "amounts with English journalists to a disease," as Henry Fowler put it in 1908, adding that "the intemperate orgy of moderation is renewed every morning." With adverbs, the writer usually tells us he or she is afraid he/she isn’t expressing himself/herself clearly, that he or she is not getting the point or the picture across. Adverbs, like the passive voice, seem to have been created with the timid writer in mind.
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They’re the ones that usually end in - ly. are words that modify verbs, adjectives, or other adverbs.